BOB CRAIG

Robert 'Bugs' Craig was born in Edinburgh in 1927, and named Robert after his father who owned a well-known pub on Nicholson Street near to Surgeon's Hall and south of where the old Edinburgh University buildings used to be. Bob was one of two brothers, Billy his younger brother became a motor mechanic and later moved to Canada and then Venezuela

Bob grew up in a neighbourhood ironically called Craigentinny, on Vandeleur Avenue, close to the Royal High School's preparatory school where on the same day in October 1932 at the age of five he started school in the same class as Stu Eaton and Al Fairweather. The three remained friends and it was during the Second World War and in their 'teens' when the boys started listening to and playing jazz. They got together with Sandy Brown who was in the year below them. At various overlapping times each of them went away from Edinburgh to do their 'National Service' in the armed forces, and Bob took over from Al to play trombone in Sandy's band when Al changed to trumpet.

Bob grew his 'trademark' handlebar moustache when he joined the RAF for his National Service.

Sandy and Al left for London in the 1950’s, but Bob remained in Edinburgh. A modest man, he did not think he could compete at a national level and so formed his own band with others from the Royal High School.

Bob went on to Edinburgh University where he gained his BSc degree, but rather than go into engineering, he worked for the Munrospun textile organisation in their marketing department, travelling agreat deal around the U.K. In later years took on a variety of jobs, including running a pub on the south side of the city.

Bob never strayed far from the roots of the Louis Armstrong/ King Oliver style that he had adopted as a teenager, providing the hot, punchy chordal background against which other horn blowers could take off. Nevertheless, from time to time he would take a chorus or two of adventurous, original, solo improvisation that would astound his fellow musicians and the audience alike.

His partnership with clarinettist Dave Paxton was particularly fruitful.

Bob also played with other top Scottish bands including those of Charlie McNair and Mike Hart.

When Al Fairweather returned to Edinburgh in the 1980’s, it was Bob who persuaded him to join Dave Paxton and himself in a band that did the club and pub rounds. 'Al Fairweather and Friends' had a regular Wednesday evening slot at Young's Hotel in Leamington Terrace playing the music that took them back to the Louis Armstrong roots that caught their interest in the first place.

This photograph sent to us by Stu Eaton has Dave Paxton, Al Fairweather and Bob Craig in the front line, and Kenny Milne on drums. (Click on the top part of picture to enlarge it and then click your back arrow to return to Bob's Profile)

After Al and Dave died, Bob confined his playing largely to the Criterion Parade Band, where he had played in the front line for many years. He played with the Criterion Band at the Grassmarket for the 1998 Edinburgh Jazz Festival, only to suffer a heart attack the following day from which he never recovered.

Bob died on the 4th August, 1998. Looking back, Stu Eaton said, "Bob was dearly loved by all. What we all had in common, apart from jazz, was a sense of foolish humour." Bob's wife Louise sadly died a few months later leaving two children Simon and Ann Louise.

In writing a tribute to Bob in 'The Scotsman', Alastair Clark recalled how Bob encouraged him to take up the trumpet. Bob later invited Alastair to join his band and they toured packed venues during the height of the ‘Trad boom’.

There was one occasion Alastair recalls when he was playing trumpet with Bob's band at the Condon Club in Edinburgh during the 1950's. Dave Paxton was on clarinet and they had just launched into a somewhat ambitious, largely solo version of Louis' 'Wild Man Blues'. "As I was playing, I spotted a familiar figure had just entered the room - Sandy. He was up from London for the weekend. My knees went to jelly. God was in the house! And the vibrato must have been something to behold. Later Bob and I stepped down so that Dave and Sandy could blow their clarinets with the rhythm section. A great session."

In his tribute, Alastair also told of a high-society Borders wedding where the band fell over three times. ‘The first, like dominoes, as the lorry trailer on which we were perched moved off when the bride and groom came out of the church; the second when an aristocratic young lady thought it would be ‘a soupah wheeze’ to drive the vehicle into a tree while we used it as a stage to serenade the guests on the mansion lawn, and the third when we played a gig at Kelso Town Hall that same evening, and several gallons of free champagne began to take full effect. Bob solved the problem by propping himself up against the piano, but not convincingly enough to stop people demanding their money back’

For Bob, it was all part of life’s merry panoply; nothing seemed to get him down. Alastair wrote in Bob’s obituary, ‘There was almost always a twinkle in the eye and a grin lurking beneath the ever-present handlebar moustache.'

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